2017-07-10

edenfalling: stylized black-and-white line art of a sunset over water (Default)
2017-07-10 11:43 am

writing kinda-sorta progress report (why did I stop doing these?)

This morning I gave up on 'proper' writing and just 'and then, and then, and then'ed my way through about half of the battle, plus I found a good place to bring back a thing I'd vaguely hinted at earlier, PLUS I discovered for good and for keeps exactly what the relationship between two characters should be.

(Context: I'd originally intended them to be [thing], but another character made an annoying comment about them earlier in the story and I started wondering, hey, what if [other thing] instead??? And my answer to that question is YES, GOOD, LET'S DO IT. *grin*)

I think I will try to 'and then' the rest of the battle scene tomorrow, and maybe 'and then' the falling action/wrap-up on Wednesday, after which I can start A) turning bare-bones present-tense 'and then' material into properly fleshed-out past-tense story, and B) backfilling necessary support and foreshadowing for some stuff that popped up in the 'and then' process.
edenfalling: stylized black-and-white line art of a sunset over water (Default)
2017-07-10 09:59 pm

DVD Commentary: The Guardian in Spite of Herself, chapter 16

For [profile] jjunter, for the Fic DVD Commentary Meme (which is still open, fyi!)

The Guardian in Spite of Herself: Ayakawa Yukiko retired from being a ninja, and she's come to terms with that. Then the Third Hokage summons her for an assignment that will change her life. AU story, set six years pre-manga. (72,000 words)

Chapter 16: Chapter the Sixteenth, in which Naga and Suisen demonstrate how not to dance with a partner, Yukiko and Seichi discuss assassination and dead relatives, and, to the author's relief, Kakashi's interrogation skills end up irrelevant to the plot. (4,450 words)

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As reading your latest DVD commentary (chapter 11 of the Way of the Apartment Manager) led me to reread the whole series again (with pleasure!), I'd love a commentary on chapter 16 of the Guardian in Spite of Herself.

In the former fic, it's basically all from Yukiko's POV; in the latter, you've got multiple POVs you switch between, and in the latter chapters you're often switching between them 2-3 times within any given chapter. What are some of the challenges and opportunities having so many POVs and subgroups of people in various locations to keep moving simultaneously? Describing it like this sounds like it shouldn't work, but the effect as a reader is this sense of escalating tension, wondering if every group including a POV character will ultimately end up in the same location (and if yes, what will happen next).

To answer quickly: the main challenge is timing/pacing. I want to use each POV at least every other chapter, so they don't feel like they've fallen out of the story (this is slightly less urgent for Yukiko and Sasuke, since they're currently in the same place and thus appear in each other's POV sections), but I also don't want to drag the story out. That means I have to make sure stuff happens in every POV thread, because I can't just drop one of them for extended periods while someone else has exciting adventures.

This is why Iruka is not a POV character, incidentally, though my first tentative outline -- created way back when this story was three tiny scenelets and a vague idea -- did include a plot thread about him and a Yamanaka OC investigating the Uchiha massacre back in the village. I still think that could have interesting thematic resonance with the current plot threads, but he wound up spending a lot of time sitting and waiting (or reading archives) which was not conducive to maintaining momentum. So I cut him, though I still kind of want to write a sidefic about what he's up to during the main story.

Anyway, the advantage to multiple POVs is that I can show more events and therefore create a more intricate story, and also show different perspectives on the same events and issues -- because even though Sasuke and Yukiko are currently sharing a plot strand, the things they notice and care about are radically different, and their emotional arcs are likewise dissimilar. This is also useful for creating thematic resonance. The main theme of "Guardian" is the cost in lives and in other factors (political, economic, psychological, ethical, etc.) that the hidden village/ninja clan system imposes on the people of the Elemental Countries, as seen by both civilians and shinobi, so the more perspectives I can bring to bear, the more rounded the picture.

(The other advantage to multiple POVs, of course, is that it's easier to do cliffhangers. *wry*)


The Guardian in Spite of Herself - Chapter 16, with commentary )

And that is that. :)