May. 18th, 2014

edenfalling: headshot of a raccoon, looking left (raccoon)
Remix reveal day! I wrote two stories this year: In the Absence of Sun (The Grief Inside Your Bones) for [archiveofourown.org profile] templemarker and Sword and Stake (Hath Yet Her Honor and Her Toil) for [personal profile] rthstewart. I'm going to talk about each in a separate post.

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In the Absence of Sun (The Grief Inside Your Bones): 5,175 words, May 2014. Buffy goes to LA after Angel's private little war. Faith trails her like a dark mirror, chasing her own demons and debts. Neither expects to run into Wesley. Buffy/Faith/Wesley, explicit sex.

Remixed from In the Absence of Sun, by [archiveofourown.org profile] templemarker.

So yeah. I wrote porn for Remix. Weird, isn't it?

I did not actually mean to write porn at all, nor to write in this (these?) fandom(s). I matched templemarker on Inception and Star Trek: AOS, and my initial intent was to remix Conversation Piece, in which Ariadne sneaks into one of Arthur's dreams and discovers a 1940s bar. I rewatched the movie specifically to refresh my memory of their interactions, and got a few hundred words written. But while I was poking around templemarker's archive, trying to choose a fic to remix, I read In the Absence of Sun and that scenario just point-blank refused to get out of my head, no matter how hard I tried to concentrate on writing Ariadne and Arthur.

So I said the heck with it and went with the story that wanted to be written.

I don't know exactly why I decided to switch to Buffy's POV -- that was not a conscious choice, properly speaking, just something that I'd apparently decided very firmly before I so much as opened a new Word document. *shrug* The rest of it... I am not good at PWP, really. I think it's partly because porn is still not my go-to toolkit as a writer, and partly because world-building and character exploration are my catnip. So I wanted to know more about the situation that led to Buffy and Wesley meeting Faith in a bar, and this led to the (possibly inevitable?) conclusion that Buffy had come to Los Angeles after the events of "Not Fade Away," as had Faith (for similar-ish reasons), and that Wesley had mysteriously recovered from his case of fatal death and was not coping well. (Buffy isn't coping terribly well either, though the narrative doesn't draw attention to that nearly as much as it draws attention to Wesley's issues. Tight third-person POV is an interesting tool. *wry*)

And then they all have sex.

The opening two scenes -- Buffy goes to LA, and Buffy runs into Wesley -- are entirely my creation. The next three -- Buffy and Wesley meet Faith in a bar, the car ride and actual sex, the aftermath -- are a close-but-not-exact variation on the events of templermarker's story. This is partly because we're in Buffy's POV rather than Wesley's and they're not always in the same place or paying attention to the same things, but I also actively altered some of the characters' actions, both during the actual sex and during the aftermath, because the emotional through-line of my story is different. Which is the fun of remixing, really: taking the same notes and arranging them into a new tune.
edenfalling: headshot of a raccoon, looking left (raccoon)
Remix reveal day! I wrote two stories this year: In the Absence of Sun (The Grief Inside Your Bones) for [archiveofourown.org profile] templemarker and Sword and Stake (Hath Yet Her Honor and Her Toil) for [personal profile] rthstewart. I'm going to talk about each in a separate post.

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Sword and Stake (Hath Yet Her Honor and Her Toil): 625 words, May 2014. The new Council hires Lucy Pevensie to train novice Watchers. Dawn enrolls in her class.

Remixed from Sword and stake by [personal profile] rthstewart.

I hadn't really been planning to write anything for Remix Madness, since it took me such a long time to finish my assigned remix, but rth had not yet received her assigned remix (you can check these things from your AO3 dashboard), and she is a wonderful person who deserves all the gifts. So I wrote her one. :-)

It didn't hurt that the concept in her three-sentence ficlet is inherently awesome. I mean, Lucy Pevensie vs. the forces of evil! Lucy Pevensie, training up the next generation! Dawn recognizing a new role model! What's not to love? I just elaborated a little on rth's foundation.

(...I am now trying very hard to resist elaborating on my own elaboration, and writing the incident where the old Watchers' Council tried to discourage Lucy from hunting vampires, on the grounds that she wasn't a Slayer or even a Potential, and Lucy firmly put her foot down and told them what was what. I rather suspect she was persona non grata to the Council hierarchy for decades, though field Watchers often sought her advice in secret. I'm also not certain what her siblings' roles were in the battle against demons and vampires and repeated apocalyptic threats, but I'm certain it would make an epic tale... that someone else should write so I can read it. *wry*)

The subtitle is a gender-flipped line from Tennyson's Ulysses, which you may have noticed -- I use another one of its lines as my journal header, after all -- is one of my favorite poems.

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Elizabeth Culmer

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