a slow day

Apr. 4th, 2019 07:45 pm
edenfalling: stylized black-and-white line art of a sunset over water (Default)
My alarm went off this morning and I rolled over in bed and my body said NOPE. :(

So I called in sick and went back to sleep for another four hours. Then I got up, showered, and puttered around for two and a half hours after which I fell back into bed for three hours or so. Then I got up again and decided to take a walk into town both for general health reasons -- fresh air and exercise and the psychological high of movement and seeing running water and maintaining a pretense of routine -- and to pick up a library book I had on hold since the next time I could get to the library is Monday evening.

I intend to go back to bed around 9pm, which will make a grand total of, uh... six and a half hours spent awake during a 24-hour day. Ugh. Being sick is exhausting.

I also blew some brainpower on helping Mom figure out exact times and dates for airplane tickets for my June vacation (but she did the actual ordering because I'm not sure I should be trusted to navigate financial stuff at the moment), and then I... may have just been gently recruited to run for my church's Board of Trustees? I mean, I said up-front that there's a strong possibility I may move to Minnesota next year, but even so. I think I also promised to attend the Board meeting this coming Tuesday evening. I am... pretty sure? that my Not the IRS schedule allows that?

Um.

Yeah, definitely time to read innocuous fanfic and then hit the sack.

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Tangentially, I have little song I sing to myself when I'm sick, and on other useful occasions. It goes to the tune of "On top of Spaghetti" (which I guess itself is the tune of "On top of Old Smokey"? but whatever), and the words are as follows:

The human body
Is totally gross
It's badly designed, dear
And hopelessly gross.

So when your own body
Does something gross
Just remind yourself, dear
That dead's worse than gross.


Repeat as necessary. :)
edenfalling: golden flaming chalice in a double circle (gold chalice)
For my own reference, I want to make an electronic copy of the covenant my congregation voted to adopt at our annual meeting last month. I am dissatisfied with it in numerous ways, but it is a living document so I hope at least some of those can be changed.

(I also wish I had been able to attend some of the previous discussion meetings about the covenant, but alas, work and other things got in the way.)

Also, yes, the preamble/explanation of what a covenant even IS is part of the document. That is probably the part that annoys me the most. Dictionaries exist! And sacred promises should sound like sacred promises, not like assembly minutes. :(

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A Covenant is a set of sacred promises that Unitarian Universalists make with each other to guide and support their communities.

First Unitarian Society of Ithaca adopts this covenant to sustain our commitment to each other, affirm our connections when we struggle, and form the foundation of our respectful relationships with each other and the world.

We covenant to:

Be together in community, guided by love and respect.
Be open, friendly, and welcoming to all.
Be engaged in congregational life.

Communicate compassionately, directly, and honestly.
Listen deeply and kindly to each other.
Believe in others' best intentions.

Support and inspire each other's quest for truth and meaning
Acknowledge, respect, and value our differences.
Work to serve our community's shared goals.


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(The missing period in the final trio is copied faithfully from the original document.)

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The covenant I grew up with (and adored) is a variation of a common UU covenant, which my childhood minister introduced for communal recitation early in each service as follows:

"Knowing that neither this nor any other form of words will ever be used as a creedal test, I invite you to join me in the covenant:

"Love is the doctrine of this church,
The quest for truth is its sacrament,
And service is its prayer.
To dwell together in peace,
To seek knowledge in freedom,
To serve life in fellowship
To the end that all souls shall grow in harmony,
Thus do we covenant with each and with all."


...

I think you can see why I am dissatisfied with my own church's new covenant? It does not fill the same emotional/ritual slot AT ALL. And if you're not going to fill that slot, why call your thing a covenant? You could just as easily call it a preamble to the bylaws and put it there, where its dryness would be a much better tonal fit.

*grumps ineffectively at the universe*
edenfalling: stylized black-and-white line art of a sunset over water (Default)
You know what? I'm going to post the terrible poetry after all.

All spelling, capitalization, and punctuation faithfully reproduced (though you are missing half the effect of the purple ink and my weird handwriting). I have inserted line breaks between the poems for clarity, though the original text marks them only by a single blank line.

cut for length and embarrassment )

---------------------------------------------

Now I kind of want to find twelve- or thirteen-year-old me, give her a hug, promise her she'll make it at least to age thirty-five without humanity blowing up the planet, and gently suggest that if she wants to keep on writing poetry, she might find the constraints of strict poetic forms a useful challenge. *wry*
edenfalling: headshot of a raccoon, looking left (raccoon)
Here are seven more fills from the just-closed Three Sentence Ficathon, aka "My god, it's full of semicolons!" They are all really, truly, no-fooling three sentences long, no exceptions. You have no idea how much of a triumph this is for me! (Three are also strict-form drabbles, because I just like drabbles. And one's in iambic pentameter, because apparently I like to drive myself mad now and then.)

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20. For [personal profile] transposable_element: Oz books/Narnia, any, flying monkeys, written 3/6/15.

Nasty, Disturbing, Uncomfortable Things )

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21. For [personal profile] heliopausa: Narnia, VDT; any characters; the voyage home, written 3/6/15.

To Breathe Free )

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22. For [personal profile] rthstewart: Any, any, candlestick as weapon, written 3/7/15.

[Homestuck, Terezi & Dave]

classic detective games )

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23. For [personal profile] heliopausa: Shakespeare's Macbeth, Lady Macbeth/Macbeth, "I have given suck, and know how tender 'tis to love the babe who milks me" vs "he has no children", written 3/8/15.

Such a heart in my bosom )

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24. For [personal profile] elviella: Discworld, Polly Perks/Mal, "hold my flower"/"don't worry babe i got your flower", maybe not with actual flowers, written 3/8/15.

Maybe not with actual flowers )

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25. For [personal profile] transposable_element: Oz books, Glinda, not such a good witch after all, written 3/9/15.

Usurpation )

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26. For [personal profile] betony: Hamlet, Gertrude, that gun is loaded/but it's not in my hand, written 3/9/15.

Is that what you really want? )

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I have vague intentions of writing at least one more of the MCU/Star Trek: AOS crossovers that I inadvertently turned into a series, but that aside, I am done with the Three Sentence Ficathon. While no more prompts are being posted, I do encourage you to see if there are any you want to fill -- fills are still very much allowed and welcomed! -- and to comment on other people's contributions. :-)

(...and now to organize my fic directories...)
edenfalling: circular blue mosaic depicting stylized waves (ocean mosaic)
Since my house burned down
I now own a better view
of the rising moon.

---Mizuta Masahide


...I am quite sure I could not manage that degree of equanimity, but it's a good reminder that the way one looks at a situation can make a huge difference to one's emotional state.


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I did some more encyclopedia article editing today, both before and after work at the smoke shop. Dad says he'll send more tomorrow. I am crossing my fingers that my current can-do productive mood will last!

Other things I have done today: responded to an email about another potential editing job (for a smoke shop customer who runs a historical society about trains) which I had left hanging all last week because I did not have the spoons, answered several reviews, written 300 words of "Trollstuck" and 300 words of what might turn into an Aradia<3Aradia kinkmeme fill (hey, if the timeclone thing works for Dave, why not for the ladies?), and made a serious stab at cleaning out my real-life email address's inbox, which had become dangerously overgrown this past month and a half.

I am of the school of thought that says you should move any emails you want to save into specific sub-folders and delete everything else, because clutter is dumb and inefficient. Also, who cares about a series of six emails between me and my mom deciding what restaurant to eat at each time my parents come to Ithaca? Posterity does not need that kind of junk and neither do I. So away it goes!

ETA: 600-ish words of "Trollstuck," and part 20 is ready to post. Buuuuuuuut, I want to draw Jothan's picture first, for reference. So you will have to wait for Monday night. Sorry.

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ETA, 2/16/17: For the record, the customer with the editing job I mentioned? Is Longwinded Man. That interaction did not end well.
edenfalling: golden flaming chalice in a double circle (gold chalice)
The DRE at my church sends out a weekly inspirational email, which tends to consist of a poem she liked that week. Many of them are generically and forgettably uplifting, but I found this week's choice very interesting; it made me stop and reread it again, slower, and then a third time. I usually skim Jennifer's choices and immediately delete the emails. This one, as you can see, I am still thinking about.



Introduction to Poetry
by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem's room

and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author's name on the shore.
But all they want to do
is tie the poem to a chair with rope

and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
edenfalling: golden flaming chalice in a double circle (gold chalice)
1. A few days ago, someone did another non-traditional poetry installation. It consists of a series of clear plastic bags, filled with water, tied to the railing along Cascadilla Creek between Tioga St. and Aurora St. Inside each bag is a short poem.

This is not as reader-friendly as the poems tied to the shrubbery from a couple weeks back. For one thing, these poems are handwritten, which makes them slightly harder to read in the best of circumstances. Some of the inks bled into the water, staining the bags interesting colors but rendering the poems completely invisible. Some poems have partially disintegrated. Some poems twisted in the bags so they are curled up and, again, impossible to read. Even the ones that are both in clear water and facing in a visible direction are difficult to read, because of the creases in the plastic bags and the refraction of the water.

But it's a nice idea, and the two poems I've been able to read were interesting.

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2. I filled in for my absent co-teacher at church today. I was expecting to teach a lesson on Beltane, but when I received the lesson plan on Saturday, I discovered that the curriculum had been adjusted.

We did a lesson on Earth Day instead.

Now, this is less far-fetched for UUs than for many other religions -- we do, after all, include "respect for the interdependent web of all existence of which we are a part" as one of our Seven Principles -- but still. I was under the impression that Earth Day is a secular thing. *sigh*

Also, I have now led guided meditation twice, and I have led basic yoga exercises. This is not at all what I am used to in a religious education program!

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3. I'm still poking away at "Intervention," which is now at 11,450 words. I actually wrote more than that tonight, but I also rewrote some previous scenes to tie in better with current and future plot threads, and to give Jahiem a few lines via ship-to-ship com, which required me to cut about 150 words from a scene to remove a suddenly extraneous com conversation.

"Intervention" requires a lot of thought and logistical planning: to keep track of who is where doing what when, to track who knows what when, to make sure the characters' actions are practical, to integrate technology into the plot or explain the absence of tools that should be in use, to hopefully not violate physics and biology too badly, and to clue in readers what's happened in the time jumps between scenes. I am very glad I am writing it all of a piece rather than trying to serialize it, because I keep running into things that I need to have laid groundwork for in previous sections, and every time I go back and stick that groundwork in, I have to make two or three other adjustments to pick up the logical consequences. It's like putting together a puzzle, only each time I slot another piece in, the other pieces change shape around it. *beats head against desk*

Also, when I'm finally done I will have to go back and work in some more descriptions of people dying, of the Cordites dealing with the sick and the dead, and the Red Cross people having, you know, emotional reactions to the tragedy they find themselves in the middle of. Because right now, it's a rather dry story -- there's some worry, and a fair amount of people expressing anger because it's easier to get angry than to break down crying (and also, they are genuinely angry at the way the Cordites are dealing with the plague and their attempts to help, and at the mineral Macguffin's interference with their diagnostic technology), but there should be more depth.

But I would like to get the actual plot finished before I do too much elaboration work on scenes (or puzzle pieces) that may well get shuffled around a lot more before I am done.

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4. The new ink cartridges did indeed seem to fix my printer, so apparently the problem with the black ink was just a dud cartridge. :-/ Anyway, this means I ought to finally print ch. 14 of "Secrets" and edit it. Except, oh god, I do not want to deal with that right now. I really, really don't. I don't even know why, but every time I think of that I have this... I dunno, non-physical total body flinch.

Very weird. I should buckle down and edit it anyway. Perhaps Wednesday, which I have off from work?
edenfalling: golden flaming chalice in a double circle (gold chalice)
We were scheduled to do a UU-specific lesson this week, but the assistant DRE got swamped by life and did not have time to write up a lesson plan. So we got dumped in with the 1st grade and kindergarten classes for a combined Easter lesson.

We gathered in our separate classrooms, then met in the Arch Room for the lesson. We started by lighting the chalice and singing the Seven Principles song (which is a new innovation this year: simplified versions of the 7 UU Principles set to the tune of "Do, a Deer" -- it's awfully cute), and doing brief introductions. Then Helen Ann read a rather boring and incoherent picture book about Easter (why are kid's books that explain religious holidays so uniformly awful???), after which I attempted to ask leading questions to connect the idea of Jesus coming back from the dead with spring bringing a rebirth of plant and animal life. I am not sure how well I succeeded.

Then Erin explained the growth of plants from seeds to flowers, using the same backdrop and velcro aids that I remember using two years ago for a lesson on plant sex. (Hi, we are UUs; we teach science in church for kicks.) Scott then did some guided exercise (pretending to be stones and eggs and seeds, then plants growing, then rabbits hopping) which is a good way to bleed some excess fidgets out of small children. Then we planted poppy seeds in small cups of dirt, and I dug a roll of masking tape out of the art supply closet so we could label them with the kids' names.

Then I led a guided meditation, which is not a life skill I ever thought I would have need to acquire. Who knew? It was about a lotus blossom opening in your heart, and spreading blue light and love through your body and out to touch all the people around you. I think it would have worked better with some quiet New Age background music, to play through the points where I was supposed to pause -- I never paused more than about ten seconds, and instead improvised a lot, because I do not trust five-year-old kids to keep paying attention without audible cues that the activity is not over.

And then we passed a hand squeeze around the circle and went back to our respective classrooms for a plastic egg hunt. All in all, I pronounce the morning a success. \o/

-----

On my way home, I passed a house where someone had tied five or six short free verse poems about speaking, silence, and healing to the bare, whippy branches of a decorative hedge. The wind had torn one loose, which I picked up and attempted to pin in place via judicious interlacing of several branches. The poems themselves were interesting -- not great art, but thought-provoking, especially in their presentation. However, they really needed better copy editing. One in particular was marred by two places where the poet had meant to write "healing" and "only," but had mistyped, and an auto-correct program (or spell-check) had replaced them with "Ealing" and "Orly," respectively. *headdesk*

Still, the poems and their presentation were a lovely little gift. I am glad I was paying attention and had the time to stop and read.

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Some minor progress on ch. 4 of "The Courting Dance" tonight. This new version begins with interaction between Cor and Aravis, continues through some useful character development for Cor, and is now (I think) working up to Cor going to ask Corin to explain stuff to him. So I have thus far avoided the history bog that kept stalling and deflecting my previous attempts. Hurrah!
edenfalling: stylized black-and-white line art of a sunset over water (Default)
As I was working on Tug of War, my [livejournal.com profile] 15_minute_fic response for this week, I at one point looked up Shel Silverstein's poem "Hug o'War." That ended up having relatively little to do with the fic as written (though if you were wondering about the title? now you know where my head was), but it did remind me of another Silverstein poem I have always loved:


Listen To The Mustn’ts

Listen to the MUSN’TS, child,
Listen to the DON'TS
Listen to the SHOULDN’TS
The IMPOSSIBLES, the WON’TS
Listen to the NEVER HAVES
Then listen close to me-
Anything can happen, child,
ANYTHING can be.



...So is that Naruto's theme poem or what? :-D
edenfalling: headshot of a raccoon, looking left (raccoon)
Another random snippet from "Harvest," my ongoing attempt to write about Ekanu Thousandbirds and Denifar Rollesdun in Gwynorae. Ekanu is planning to go back to Vinaeo when she leaves the Ileara chapterhouse; Laefa oku Daeluach, one of her pledged students, is thinking of going with her. This conversation or something like it definitely happens during the course of "Harvest," but I doubt it will appear in the finished story... at least not as-is. (Its tone is all wrong.)

Harvest: Lullabies )

---------------------------------------------

The Vinaean lullaby is a hastily adapted version of the first verse of a slightly less morbid lullaby I wrote for a different fantasy world altogether. (Someday I may get around to writing one or another of my vaguely outlined novels set in that world. But probably not.) Anyway, the original song goes like this:

The Woodwife's Lullaby )


Optionally, you then repeat the first verse and trail off very slowly on the last note. If I had a piano, a reliable scanner, and the knowledge and ability to post photos to this journal, I would write out and post the melody as well, but as those conditions do not apply, I won't. (It's in slow 4/4, each line takes two measures, there is no melisma, and it is, I think, in Dorian mode... but even if I'm wrong about that, it sure as hell isn't major.)

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edenfalling: stylized black-and-white line art of a sunset over water (Default)
Elizabeth Culmer

May 2025

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