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edenfallingI spent yesterday and today playing around with choreography rather than writing actual "Guardian" story-words, because I've hit the part of the scene where it is absolutely vital that I know who is where and doing what at every point in time. It is all very well and good to have a POV character overwhelmed by chaos, but the writer needs a better grip on what's actually happening.
So. Choreography time. *sigh*
On the bright side, once I get that done the actual writing should go pretty quickly, and scene three should likewise flow well since I'll already know more or less what goes down and it's just a question of getting Yukiko's reactions and thought process and stuff.
...
I can generally write conversations and people following a chain of thought/emotion at the drop of a hat. Externally focused scenes, on the other hand -- action, porn, or anything else that depends on a firm grasp of human anatomy and relative locations -- require a lot more work.
So. Choreography time. *sigh*
On the bright side, once I get that done the actual writing should go pretty quickly, and scene three should likewise flow well since I'll already know more or less what goes down and it's just a question of getting Yukiko's reactions and thought process and stuff.
...
I can generally write conversations and people following a chain of thought/emotion at the drop of a hat. Externally focused scenes, on the other hand -- action, porn, or anything else that depends on a firm grasp of human anatomy and relative locations -- require a lot more work.
