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The annoying thing about taking an "and then, and then, and then" style just-get-through-it draft and turning it into proper narrative is that sometimes all I have to do is change the verb tenses because I wrote it out in full the first time.
But other times? Other times I run into something like this:
This provokes a sudden flurry of activity as Characters A, B, and C try to figure out what's both necessary and possible to bring with them on their search for [thing]. Character X eventually, in mild exasperation, suggests [action]. Character A and Character S head out to gather [supplies].
That's not narrative. That's an outline. And now I have to actually write the multiple paragraphs and extensive dialogue that I summarized while trying to just reach the damn ending.
*sigh*
But other times? Other times I run into something like this:
This provokes a sudden flurry of activity as Characters A, B, and C try to figure out what's both necessary and possible to bring with them on their search for [thing]. Character X eventually, in mild exasperation, suggests [action]. Character A and Character S head out to gather [supplies].
That's not narrative. That's an outline. And now I have to actually write the multiple paragraphs and extensive dialogue that I summarized while trying to just reach the damn ending.
*sigh*
(no subject)
Date: 2020-05-04 11:59 pm (UTC)(no subject)
Date: 2020-05-05 04:46 pm (UTC)Fortunately in this case I can still elide over a bunch of stuff -- the entire conversation doesn't need to happen, just enough that I can convincingly have Character X be all "oh my god you're exhausting, just do this thing and shut up," and then the little conversational dance about why Characters A and S are the ones going out on the errand instead of any other combination of people.