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Episodes 4-6 (The Warriors of Kyoshi; The King of Omashu; Imprisoned):

1. I had such a sympathetic embarrassment squick moment for Sokka when he first asks Suki to fight. I was not at all embarrassed about him dressing up as a Kyoshi Warrior, though. I think this is because of the expectation clash thing: in the first embarrassing incident, Sokka thinks he's going to come out on top, so I am watching him be unexpectedly embarrassed (to clarify, it was unexpected for him; I knew it was coming). In the second incident, he knows from the get-go that he's going to feel stupid. Also, in the first case I am watching him do something he ought to be ashamed of -- being a sexist ass -- whereas in the second, there is nothing wrong with guys wearing dresses and makeup. (He actually looks damn good in that face paint. He looked pretty good in his face paint back in The Avatar Returns as well. The boy can rock some make-up, you know?)

2. In re: Omashu -- what is up with these cities on unreachable mountaintops? It's great for defense, but not so much for getting adequate food and water supplies into the walls, nor for trade. And if your population grows, where are you going to expand? (I suppose, being earthbenders, the people of Omashu could just keep digging deeper and deeper basements, but that would cause structural support issues eventually.)

3. I am intrigued that Katara chooses to bend water out of Haru's mother's outdoor pump rather than press the handle. I am not sure if that's because she doesn't know what pumps are (the Southern Water Tribe's village is fairly primitive, and because they're at the South Pole and on a shelf of sea-ice -- you can tell by the way Zuko's huge, deep-draft ship cruised right up to the village wall -- any liquid water in the area is all saltwater anyway; they probably get drinking water from melted snow), or because she wants to practice, or both.

4. Aang and Gyatso in happier days... oh. *is heartbroken* And the flashing temple lights and the shocked people all over the world... oooh, world-building and foreshadowing and all kinds of nifty tantalizing hints! (The people running this show really know how to tell a story, don't they? *applauds*)

5. You know what I love? The whole setup of the earthbenders' prison. When Katara makes her inspirational speech and the warden is watching from above, I thought at first he'd have her shot and interrupted, but no. He lets her talk, because he knows he has the prisoners broken. He doesn't have to fight them; they've already defeated themselves. The warden may be a very short-sighted, self-centered, and foolish man, but he knows that one trick and he knows it well. (And I think some of his seeming ridiculousness in the introduction scene may be for effect, to show how little control the captives now have over their fates.)

6. It's interesting to compare Aang's admirers to Katara; if he's twelve and she's fourteen, the fangirl pack must all be about 9 or 10. The overall effect (for me) is to make all the relationships seem more platonic.

7. I am still trying to understand the Zutara thing. So, okay, seeing Katara interact with Haru, I can see how people might look at her and Aang and say, "Oh god, total age and maturity mismatch, must find her another guy!" but I think... she's not looking for a guy, you know? She treats Haru as a potential friend, nothing more. Also, if Katara must be shipped with someone -- which I do not grant; shipping is not the be-all and end-all of life -- I think she'd probably do better with somebody who can counter her seriousness. Remember that she's grown up with Sokka; she's used to counterweighting and playing off his goofy antics. I'm not sure she'd know what to do with somebody more serious than she is.

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In real life news, today is Halloween. Yay! I am not dressing up this year (it's my day off, so I decided to stay home and be antisocial), but I have put out a basket of candy and left the porch lights on. This is more efficient than trying to answer the door and hand out candy in person, because my building does not have doorbells.

(no subject)

Date: 2009-11-01 06:26 am (UTC)
From: [identity profile] supplanter.livejournal.com

Well, looking back I guess it's fairly obvious why I changed around 12—my parents got divorced, so my living circumstances changed and I moved across the state to a new school system, and then into another school system the following year, and I simultaneously discovered the internet, which drastically altered/defined the way I consumed entertainment (I started reading so many fewer physical books, it is depressing—I'm still not quite in the habit, and whenever I finish a new book now it's like HURRAY :D :D :D, lame, I know >.>—and a couple years later I'd all but stopped watching tv) and interacted with ppl, so.... >.>;;

Man, your rxn posts make me want to rewatch avatar!  Or maybe I'll finally be provoked into watching season 3? ^^;;

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edenfalling: stylized black-and-white line art of a sunset over water (Default)
Elizabeth Culmer

June 2025

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